BOSTON, Apr 9 (Reuters) - For roughly 3 decades Dr. Dre has been a trendsetter in the U.S. song industry, by his recordings with gangsta rappers N.W.A. and after as a writer and jot down senior manager who helped launch the careers of Eminem, Snoop Dogg and 50 Cent.
Dre"s potentially defining, and probably final, low-pitched work is the manuscript Detox, that has completed near-mythical standing after being in prolongation given 2003.
The most expected manuscript is inching toward a open 2010 release. The initial single, "Under Pressure" and featuring Jay-Z, will be expelled this month.
Lately, Dre, 45, whose name is short for Andre Young, has strong on receptive to advice from the ears outward. He has leant his name to a line of upscale headphones, "Beats by Dr Dre" by Monster Cable of Brisbane, California.
The pricey inclination landed on most "top gadget" lists in 2009 and sole strongly notwithstanding the mercantile downturn.
Reuters spoke to Dr Dre and writer Jimmy Iovine, authority of Interscope-Geffen-AM records, during a new outing to Boston.
Q. What"s the subsequent big thing in music?
Dre: "My record. And after that I"m not sure. I"m only keeping my ear to the concrete."
Iovine: "We all know that Lady Gaga took the universe by storm. She"s fused stone and dance and hip-hop. She"s an implausible songwriter -- one of the good songwriters to come around, at the turn of a Freddie Mercury or an Elton John. She has a prolonged approach to go to infer herself, but I hold she"s going to get there."
Q. What do you attend for in a new artist?
Dre: "Originality. Good outspoken performance. And if I can get along with them in the studio, you know?"
Q. Who is your the one preferred artist at the moment? What is personification on your iPod?
Dre: "I don"t essentially have a the one preferred right now. I"ve been listening to a lot of old 60s and 70s music. Things similar to Kraftwerk, and Parliament Funkadelic. I"ve unequivocally been listening to a lot of Kraftwerk."
Q. 1970s German electronica? That competence warn people.
Dre: "Kraftwerk had a unequivocally big impulse on the commencement of hip-hop. My tastes shift with the season. Right right away it"s Kraftwerk. I"ll see what happens this summer."
Q. What got you in to the headphone business?
Dre: "For me it only felt organic. I"m about music. I don"t know anything about conform so I can"t have clothes, sneakers, or anything similar to that. I know sound. That"s it. Most people that are origination headphones probably aren"t concerned in the tangible origination of music. So we have an top hand."
Q. Music players have gotten not as big and smaller. The ultimate iPods are most microscopic.
Dre: "The distance of the iPod has no outcome on what it sounds like. Our headphones have the song receptive to advice big again."
Q. A lot of people contend they cite the sounds constructed by an old-style jot down over anything since.
Iovine: "The digital series ... that"s where it went terribly, terribly wrong. In each alternative margin of party it"s softened the quality. In song it"s degraded the quality. The files are bad, the computers receptive to advice bad. And the headphones receptive to advice bad. So we proposed with headphones.
"You wouldn"t go and buy a DVD of Avatar and fool around it on a unstable television. People are listening to song by the homogeneous of unstable televisions."
Q. What do you think of "American Idol"?
Iovine: "It"s a good show. It gives a lot of different people exposure. What they do with the artists after that is up to the label. I think the judgment is a good concept. I don"t love the annals they make."
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